He was really accomplished and was thinking beyond thrash and metal. “Cliff was the one who really taught them about melody,” says Anthrax guitarist Scott Ian, who knew Metallica from their early days. A fan of Frank Zappa, Lynyrd Skynyrd and classical music, he didn’t just bring a new level of musicianship to the songs they were playing, he demolished the boundaries Metallica might otherwise have built around themselves. For Burton, this was an opportunity to demonstrate his ability as a player and songwriter. The band had been so keen for the bassist to join that they had relocated to the Bay Area in order to secure his services.
The 10 best thrash metal albums: a buyers guideĬliff Burton was the key to Metallica’s artistic development. The 10 Best Metallica Songs Featuring Cliff Burton. But when it came to the songs, we felt like we were on a roll.” Does it make for better art when you’re uncomfortable like that? Maybe it does, maybe it doesn’t. The garage had no heat and it was cramped. They rehearsed from noon to night, day after day, with few breaks. Locked in the garage, the band members were focused and determined, sometimes spending hours arguing about the proper placement for a rhythm shift or the tone of a mid-section. They were breaking new ground and they didn’t want anyone to hear what they were doing before it was ready. Metallica began working on the songs for their second album as soon as they returned from tour with Raven in September 1983. “When you’re playing fast all the time, you kind of limit what you can do musically,” says Ulrich. They wanted to grow beyond the speed demons who had popped up in the Bay Area in their wake. Even as they watched the shockwaves from Kill ’Em All ripple outwards, the band knew that the follow-up had to move things forward once again. But it became clear it wasn’t just their groundbreaking music that separated Metallica from their rivals – it was their ambition too. It was from the Metallimansion that the band planned their campaign for world domination, led from the back by the relentlessly go-getting Ulrich. Everyone was so poor, they were lucky if they could afford Smirnoff.” “They couldn’t even spell Stolichnaya, let alone afford it. “Anyone who would bring good, hard alcohol to the house was worshipped,” recalls Ron Quintana, founder of Metal Mania fanzine and another friend of the band. Hetfield and Ulrich shared adjacent bedrooms, while a stained couch in the living room acted as a extra place for anyone who needed to crash. The inside story of the show that scored Metallica a major label dealįar from being a mansion, the house was only a few steps up from a hovel. Kill ’Em All: the story behind the debut album. At one point, they had to line the ground with milk crates and stand on those because whenever it rained the water leaked in and they didn’t want to get electrocuted.” They practised out in the back in a one-car garage that barely had enough room for a vehicle. “Of course, it was the furthest thing from that you could imagine – a total dive. “Before I went over there for the first time, I thought it was going to be this really nice place,” recalls photographer Harald Oimoen, an early friend and champion of the band. Onlookers could have been forgiven for thinking Metallica were rolling in it. They even had their own base of operations – a house with its own garage-cum-studio, affectionately dubbed the ‘Metallimansion’, located north of San Francisco, in El Cerrito, California. They had been the first thrash band to bag a record deal (with up-and‑coming US indie label Megaforce), they had already supported NWOBHM stars Venom at a one-off show, they were in the middle of a tour with another British band, Raven, and they were being fêted as heroes by the metal underground. Metallica were already way ahead of the pack by the time Kill ’Em All was released in July 1983. Spotify vs Apple Music vs Tidal: which streaming service is best for rock and metal?. 
Best headphones 2020: supercharge your music listening.On a budget? Here are the best budget turntables.But Ride The Lightning was the album that made them. Master Of Puppets would be the album that broke Metallica two years later.
Both the song and the album it appeared on were hugely significant for Metallica, putting clear water between them and the scene they had created, and pointing the way to a future where anything was possible.
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